MFA, School of the Art Institute of Chicago, Chicago, IL BA, CUM LAUDE, PHI BETA KAPPA, Pomona College, Claremont, CA
		ARTIST IN RESIDENCY PILOT PROGRAM, Miami Beach, FL, 2003 E. D. FOUNDATION GRANT, Kearny, NJ, 1996 MILLAY COLONY FOR THE ARTS, Austerlitz, NY, 1995 CORPORATION OF YADDO, Saratoga Springs, NY, 1993 VIRGINIA CENTER FOR THE CREATIVE ARTS, Sweet Briar, VA, 1992 LANCASTER GROUP AWARD, NYC, 1991 ARTISTS SPACE ARTISTS GRANT, NYC 1990 LUDWIG VOGELSTEIN FOUNDATION GRANT, Brooklyn, NY, 1989 JOYCE CARLYLE MEMORIAL FUND, The Banff Centre, Canada, 1984 ALEX DEMOND FUND AWARD, Art Institute of Chicago, Chicago, IL, 1983
		2007 A SEQUENCE OF STEPS, Rockland Center for the Arts, West Nyack, NY 2006 INSTALLATION/WORKS ON PAPER, Alpan Gallery, Huntington, NY FLUIDITY. . . ABSTRACTION TRANSFORMED, Allen Sheppard Gallery, NYC
		2007 WINDOWS ON FIFTH, Saks Fifth Avenue, NYC Biennale d'Arte Contemporanea di Firenze, Fortezza da Basso, Florence, Italy UNLIKELY MATERIALS, Alpan Gallery, Huntington, NY 2006 ON PAPER/OF PAPER, Jeanie Tengelsen Gallery, Dix Hills, NY DIMENSION, Jeanie Tengelsen Gallery, Dix Hills, NY PEER PRESSURE, Allen Sheppard Gallery, NYC 2005 SMALL WORKS, Jay Bond Gallery, NYC OFF THE WALL, Omni Gallery, Uniondale, NY SUMMER SALON, The Front Room, Brooklyn, NY POINT OF VIEW, Alpan Gallery, Huntington, NY PAPER, PAPEL, PAPIER. . . NurtureArt, Brooklyn, NY STUDY IN RED, Public Project sponsored by INFINITI, Herald Square, NYC 2004 ENDS AND MEANS, Alpan Gallery, Huntington, NY WHITE MATTERS, NurtureArt, Brooklyn, NY DIGITAL MEDIA, New Harmony Gallery of Contemporary Art, New Harmony, IN SUMMER, Alpan Gallery, Huntington, NY 2003 CREATED IN MIAMI BEACH, Miami Beach Botanical Garden, Lincoln Theatre, MB, FL EIGHT ARTISTS, Miami Beach City Hall, Miami Beach, FL PAPER, Metaphor Contemporary Art, Brooklyn, NY BIENNIAL EXHIBITION, AIR, NYC 2002 CONFIGURING IDENTITY, untitled X (space), New Haven. CT THE AMERICANS, Video Screening, Wolfsonian Museum, Miami Beach, FL SEE THROUGH, Satellite Project Space, Long Island City, NY FLARB, Aqua Hotel, Miami Beach, FL NEW ARTISTS/NEW WORK, Nese Alpan Gallery, Huntington, NY 2001 UNDER THE INFLUENCE, Islip Art Museum, East Islip, NY SUMMER, Barbara Levy Gallery, Fire Island, NY 2000 CONCEPTUAL WORKS, Nese Alpan Gallery, Roslyn, NY 1999 WINTER SHOW, Nese Alpan Gallery, Roslyn, NY 1998 FIELD WORK, Abe Lubelski Gallery, NYC BIOART, 450 Broadway Gallery, NYC HERE AND NOW, Art Center/South Florida, Miami Beach, FL O, The Alliance, Miami Beach, FL 1997 THREE ARTISTS, Galerie Douyon, Miami, FL THAT’S LIFE, NE 17th, North Miami, FL FACE, interactive collaborative installation, Miami Beach, FL HERE AND NOW, Miami Light Project, Miami Beach, FL 1996 SYSTEMIC DISORDER, 55 Mercer, NYC 1995 EXPOSURE & VULNERABILITY, Fulton Ferry State Park, Brooklyn, NY HAND IN PLACE; FIVE NEW ARTISTS IN MIAMI, Centre Gallery, Miami Dade Community College, Miami, FL BUOYS; MARKING THE PLACE, Bill Bace, NYC WALL SCULPTURE, Long Island University, Brooklyn, NY 1994 INNER POLITICS, traveling exhibition: Rochester Institute of Technology, Rochester, NY, Franklin and Marshal College, Lancaster, PA 1993 OUTDOOR SCULPTURE 1993, Manhattan Psychiatric Center, Ward’s Island, NY INFUSED WITH THE SPIRIT, The Police Building, NYC THREE SCULPTORS, Kirkland Art Center, Clinton, NY SELECTIONS, Lehman College, Bronx, NY
		“The Stuff That Creativity Is Made Of", Benjamin Genocchio, THE NEW YORK TIMES, April 8, 2007 “Unlikely Materials”, Elle Can, THE NEW YORK ART WORLD.COM, Summer, 2007 “Don’t Fit the Traditional Definitions,” Helen Harrison, THE NEW YORK TIMES, January 22, 2006 “Masterworks Old and New, Leavened by a bit of Whimsy,” Helen Harrison, THE NEW YORK TIMES, October 16, 2005 "ARTSEEN," Christopher Howard, THE BROOKLYN RAIL, November 6, 2004 "Art will be where you’ll find it this fall," Elisa Turner, MIAMI HERALD, August 24, 2003 "Visiting artists capture South Beach’s sights, sounds," Richard Brand, MIAMI HERALD, August 10, 2003 "FLARBergasted," Elisa Turner, MIAMI HERALD, Wednesday, August 8, 2002 "Experimental Media Works are Understood at FLARB," Crissa-Jean Chappell, STREET, October 3, 2002 "Art Reviews," Phyllis Braff, NEW YORK TIMES, Sunday, January 9, 2000 "The Ticket," Elisa Turner, MIAMI HERALD, Dec 6,1998 "Art Review," Elisa Turner, MIAMI HERALD,June 10, 1998 "Watching out for the World’s Watchers," Elisa Turner, MIAMI HERALD, August 8, 1997 "New Artists On the Block," Judy Cantor, THE NEW TIMES, May 4, Miami, FL,1995 BUOYS: MARKING THE PLACE, Bill Bace, catalogue, NYC, 1995 "Left Hanging," Elizabeth Forbes, DEMOCRAT AND CHRONICLE, Jan 5, 1994, Rochester, NY "A Widely Varied Response to the Notion of Motion," Helen Harrison, NEW YORK TIMES, October 28,1990 "Calendar," ST. LOUIS POST-DISPATCH, photo, April 12,1990 "Craft As Art: Form Overtakes Function," ST. LOUIS POST-DISPATCH, May 13, 1990 MEETING GROUND, Margo Shermeta, catalogue, St. Louis, MO, 1990 "Lines Redefining Space," Phyllis Braff, NEW YORK TIMES, April 9, 1989 AIRLINES, John Yau, catalogue, Long Island University, NY, 1989 QUEENS MUSEUM ANNUAL, Irving Sandler, catalogue, Queens, NY, 1988 "Multitude of Styles," Margaret Moorman, NEW YORK NEWSDAY, January 8, 1988 EXTENSIONS, Dennis Adrian, catalogue, School of the Art institute of Chicago, IL, 1987 "Possibilites for Art Grow," Sue Taylor, CHICAGO SUN TIMES, January 9, 1986 "Fibers Knit Into Solid Exhibition," James Auer, MILWAUKEE JOURNAL, August 5, 1985 SCULPTURE TEXTILE, Erika Billeter, catalogue, Lausanne, Switzerland, 1985